A wickedly funny, poignant rock musical.
This performance is intimate (and I mean that in every sense)--so intimate that the line between reality and reminiscence becomes blurry.
Frequent interruptions from Tommy Gnosis' nearby stadium concert are an important part of the sound design. Because the show features an on-stage band and 11 musical numbers, my sound design was more subtle, largely using a broadcast motif to create light underscoring.
Radio and TV broadcasts are key to Hedwig's story, whether it's watching Jesus Christ Superstar with her mother or discovering her love of rock 'n roll late at night on American Forces radio.
In the sequences on this page, I used period broadcasts from 88FM AFN Berlin and Tom Brokaw's reports at the Berlin Wall along with carefully selected clips from musical artists Hedwig references to further blur the line between her memory and our experience. As Hedwig's mental state deteriorates, the content of the clips is subverted.
Clare Marie Nemanich’s sound designs created a robust environment, significantly when transporting the viewers by means of the outer reaches of Hedwig’s thoughts.
--The Today Press
Hedwig and the Angry Inch
Book by John Cameron Mitchell
Music and lyrics by Stephen Trask
Produced by Rainbow Carnage Productions at Cafe Istanbul, New Orleans, LA, September 2018
Hedwig: Edward Carter Simon
Yitzhak: Kimberly Kaye
Skszp: Ainsley Matich
Krzyzhtoff: Sergio Pagan
Schlatko: Chris Guzzardi
Jacek: Jimmy Williams
Director: Kimberly Kaye
Music Director: Ainsley Matich
Stage Manager: Jenny Billot
Sound Designer: Clare Marie Nemanich
Lighting Designer: Scott Sauber
Live Sound Engineer: Dylan Young
Scenic Assistant: Ray Lopez
Technical Director: Edward Carter Simon
Creative Consultant: Michael Cerveris